Tag Archives: Charles Dickens

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“Heaven knows we need never be ashamed of our [f]ears.”

The title of this post is a modification of a Dickens quotation.  In the original, the final word is “tears,” but when I look at the quote every morning on the cover of A Charles Dickens Devotional (previously reviewed), the t looks like an f, so I’ve gotten it into my head the wrong way.  Anyway, I think both sentiments make sense.

I chose the title because last night I was thinking about my top three greatest fears, particularly my probably irrational fear of getting seriously ill or injured and consequently losing some brain function, leading me to become or appear less intelligent.  Sometime I may write a full post about my biggest fears (I’m sure they look pretty silly when written down), but for now I simply want to give you a list of disconnected, but related, quotations and thoughts that have come to me while I’ve been worrying about the fear that I mentioned and pondering the subjects of humility, not holding too tightly to what I value, and not caring so much about what people think of me.

(This list is dedicated to all the Ravenclaws out there and to Hermione Granger, who should have been a Ravenclaw.)

  • Wit beyond measure may be man’s greatest treasure, but God’s wisdom makes our wit look like foolishness.
  • “Because the foolishness of God is wiser than men, and the weakness of God is stronger than men . . . God has chosen the foolish things of the world to put to shame the wise, and God has chosen the weak things of the world to put to shame the things which are mighty.” (I Corinthians 1:25, 27)
  • “Take my intellect and use / Every power as you choose.” (Frances Ridley Havergal)
  • “Though I speak with the tongues of men and of angels, but have not love, I have become sounding brass or a clanging cymbal. And though I have the gift of prophecy, and understand all mysteries and all knowledge, and though I have all faith, so that I could remove mountains, but have not love, I am nothing.” (I Corinthians 13:1-2) N.B., Ravenclaws: Luna Lovegood gets this.

Oh, P.S. Perce Shelley, Queen Mab, and I are doing fine now.  I no longer want to shoot myself in the eye.  Hope you enjoyed the Wordsworth anyway. 🙂

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Happy birthday, Charles Dickens!

Today is the bicentennial of Charles Dickens’s birth.  I have been trying to decide how best to use my blog to commemorate the day, and I haven’t come to a satisfying conclusion.  I think the problem is that there’s too much Charles Dickens.  I can’t pick just one favorite character from his teeming world, where every time you turn a London street corner you’re likely to run into an old enemy, a dear school friend, or a long-lost relative.  Or, maybe just a singular character whom you ran into on that same street corner ten years before.  I can’t pick just one favorite line from the most verbose Englishman since Shakespeare (I’m not doing an accurate word count, here; I’m just referring to the exuberant flow of language that characterizes the work of both authors), who mastered both snark and sentiment, and can still make readers who have never seen the Thames feel a creeping London fog rolling in with the night over the river.

To my readers who don’t know what I’m talking about: for the characters, read David Copperfield.  For the descriptions, read Bleak House.  For something short to start off with, read A Christmas Carol.  And let me know what you think!

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We have a winner!

Congratulations to Allison, the winner of a lovely hardcover copy of A Jane Austen Devotional.  Allison, I have already sent your address to the PR representative who sponsored the contest, so you should be receiving your book in the mail soon.  Here again is the Jane Austen quotation that Allison shared as her contest entry, along with her commentary:

In which Miss Elizabeth accepts an invitation to the Lakes and consoles herself over the loss of Mr. Wickham with admirable humo(u)r:

“‘Adieu to disappointment and spleen. What are young men to rocks and mountains? Oh! what hours of transport we shall spend! And when we do return, it shall not be like other travellers, without being able to give one accurate idea of anything. We will know where we have gone—we will recollect what we have seen.’”

Having now been to the Lakes, I have a new appreciation for the heart-healing power of rocks and mountains!

Honorable mention goes to Vickie, who, I hear, has already gone out and bought her own copy of the book at Lifeway.  The Charles Dickens contest received no entries, sadly.  I do realize that C.D. is not everyone’s cup of tea, but perhaps some of you should try him out and see what you’re missing!

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Review: Devotional books for classic fiction lovers

A Jane Austen Devotional and A Charles Dickens Devotional (Thomas Nelson, 2012) are beautiful books.  When I received my copies in the mail, I was delighted by the lovely, understated cover art—a pastoral scene on the Austen volume and some calligraphic quotations on the Dickens—as well as by the size, perfect for holding comfortably in one or two hands.  As a bonus, there’s a ribbon marker in each book, which is always fun.

When I opened the books, I continued to be pleased.  The layout is attractive, with a passage from one of the novels on the left-hand page and the devotional reading on the right.  I was happy to see that both books represent all of the major novels of both authors, a point on which I was particularly skeptical when I first heard about these books.  I was worried that all of the quotations would be from Pride and Prejudice and Oliver Twist and that they would be very short and taken egregiously out of context.  So far, however, during the week or so that I’ve been using these books in my personal devotions, I’ve read and enjoyed substantial quotations from less hyped works such as Northanger Abbey and Dombey and Son.

And yes, you read that right; I’m breaking a cardinal rule of book reviewing by writing and posting this review before finishing the books.  But in the case of a devotional book, which is meant to be read in small pieces and has no narrative flow, I think that rule can justifiably be broken.  Still, I’m hoping that some of the less positive observations I’m about to make may be proven wrong as I continue through the books.  If that happens, I will be sure to revisit this post and make changes in the spirit of fairness and charity, which both Jane and Charles would no doubt approve.

I said that the quotations from the novels are well-chosen, and this is true.  I am less satisfied, however, with the quality of the devotional readings.  I’m finding them a little shallow, especially in the Dickens volume.  I haven’t encountered any heretical doctrine, of course, and I’ve only run across one clearly misinterpreted Bible verse (it was removed from its context).  But when I read the devotions, I get the impression that I’m listening to a very short sermon into which the preacher is determined to incorporate as many individual scripture verses as possible.  I tend to prefer an expository style as opposed to a topical one, and these books are very, very topical.  And it’s virtually impossible to do justice to any topic in just one page, which has very wide margins.

The reasons why the Dickens volume might be a bit weaker than the Austen volume are twofold.  One is the coverage issue: Dickens wrote a lot of books, and some of them lend themselves more aptly than others to a life-lessons style of interpretation (A Christmas Carol is a gold mine; Pickwick Papers, perhaps not so much).  I’m happy that the person selecting the excerpts was determined to represent a large sampling of the Dickens canon, but sometimes that determination leads the reader into odd places.  The other reason is that unlike Austen, who was a clergyman’s daughter, Dickens wasn’t exactly an orthodox Christian.  He was often critical of the church, and his doctrines skewed a bit toward the Unitarian.  (Note: That statement is based solely upon my own observations, and I’m not a theologian.)  Dickens’s novels contain many biblical motifs and symbols, which would make a fascinating book, but it wouldn’t be a devotional book.

Conclusion: If you are a lover of Austen and/or Dickens, buy the book(s).  At the very least, they will look nice on your shelves.  You will also enjoy revisiting some of your favorite characters and locations in all of literature (if you’re like me, that is).  If you want to incorporate the books into your personal devotions, plan to use them as a jumping-off point for excursions deeper into Scripture.  For example, I’ve been looking up the verses cited in the text and reading them in their surrounding context.  I’m finding it to be a rewarding venture.  Oh, and make sure you read the introduction(s).  So far, my favorite part of either book has been a sentence toward the end of the Jane Austen introduction.

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God bless us, every last individual one.

What are your favorite adaptations of A Christmas Carol?  Here are some mini-reviews of ones that I experience every year, plus a few new ones.

1. Mickey’s Christmas Carol. Like many people, I suspect, I was first exposed to Dickens’ story through this brief–very brief–cartoon.  Its briefness makes it good for children with short attention spans, but it means that a number of great scenes (the child Scrooge in the schoolroom, the party at Fred’s, the pilferers offering their wares to Old Joe) have to be left out.  Perhaps even more disappointing, this version doesn’t use much of Dickens’ language other than “Bah humbug” and “God bless us, every one.”  But Alan Young as Scrooge MacDuck as Ebenezer Scrooge is memorable.  And I’ll always have a warm place in my heart for Mickey’s Christmas Carol.

2. The Muppet Christmas Carol. I haven’t seen this year’s The Muppets yet, but I’m interested to see whether Jason Segel and Amy Adams can give as un-ironic and moving a performance alongside a cast of Muppets as Michael Caine does in this movie which ranks easily among my favorite Christmas films.  Even though this movie left me for many years with the impression that Scrooge actually had two partners named Marley in the original version, I credit it with instilling in me an early love for Dickens’ style, since it does retain much of the phraseology of the novella.  When I read A Christmas Carol, I hear Gonzo’s voice.  Who doesn’t?

3. A Christmas Carol presented by the Almost Blasphemy troupe at Blackfriars Playhouse, Staunton, VA.  I went to see this American Shakespeare Center production last weekend.  It was decidedly geared toward the groundlings in the audience (in this case, mostly children), as evidenced in particular by the dance number at Fezziwig’s party (It was “Flashdance.”  Yes.).  A purist would not have enjoyed it, but a purist would not have enjoyed seeing Dickens done with Elizabethan theatrical conditions anyway.  I had fun.  As usual with ASC, the pace was brisk, yet the story felt unabridged.  I thought Marley’s ghost was particularly good.  He came out of a trapdoor in the floor!  (And he was a good actor.)

4. The version I have pieced together from a few of my students’ papers.  In which Marley’s ghost and the Ghost of Christmas Past are the same character.  I told them I would be able to tell if they didn’t read the book.

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Win a book!

Hello, small but loyal group of followers!  Would you like to win a lovely hardcover copy of A Jane Austen Devotional or A Charles Dickens Devotional (both new from Thomas Nelson; my reviews forthcoming)?  I haven’t had a chance to see the books myself yet, but I have it on good authority that these are not just frothy gift books assembled from quotes found in a Google search–they contain substantial excerpts from the respective authors’ works, and they’re theologically solid too.

Here’s how you win: In a comment, send me your favorite quotation from an Austen novel or a Dickens novel (or both, if you’d like to enter both contests), and make sure you identify the novel and the character who speaks it, unless of course it’s the narrator.  Then explain in a few sentences why you like it so much.  I’ll pick the best entry for each author, and then I’ll arrange to have the book sent to you.  Please send me your entries by Monday, January 16.  That gives you about a month to reread your favorite novel if necessary.  I am prepared to be impressed!

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But death isn’t the end!

Today I thought I’d give myself a break and share someone else’s work–Plato’s, that is.  The following quote comes from the character Glaucon in Plato’s Republic.  It reminds me of some people you might know: Jesus Christ, Sydney Carton (the guy from A Tale of Two Cities), Bruce Wayne (especially in The Dark Knight), and one of my Hogwarts professors, Severus Snape.  It also–shameless plug–reminds me of Jack Donnelly, the protagonist of the novel I wrote.

“Beside our picture of the unjust man let us set one of the just man, the man of true simplicity of character who, as Aeschylus says, wants ‘to be and not to seem good.’ We must, indeed, not allow him to seem good, for if he does he will have all the rewards and honours paid to the man who has a reputation for justice, and we shall not be able to tell whether his motive is love of justice or love of the rewards and honours. No, we must strip him of everything except his justice, and our picture of him must be drawn in a way diametrically opposite to that of the unjust man. Our just man must have the worst of reputations for wrongdoing even though he has done no wrong, so that we can test his justice and see if it weakens in the face of unpopularity and all that goes with it; we shall give him an undeserved and life-long reputation for wickedness, and make him stick to his chosen course until death. In this way, when we have pushed the life of justice and of injustice each to its extreme, we shall be able to judge which of the two is happier . . .

“They will say that the just man, as we have pictured him, will be scourged, tortured, and imprisoned, his eyes will be put out, and after enduring every humiliation he will be crucified, and learn at last that one should want not to be, but to seem just.”

Of course, Socrates sets Glaucon straight.  Read The Republic to find out how.