Tag Archives: teaching

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my teaching philosophy

I’m taking an online class about how to teach online (it’s a totally understandable standard requirement for first-time online instructors at my new school, even those of us who have taught online elsewhere), and I have to write a paper about my teaching philosophy! With sources! What? I didn’t sign up for this! And now I feel exactly like my students feel in every single one of my classes. It seems the course designers were trying to teach us a lesson in empathy (ya think?). I think I have a teaching philosophy somewhere that I wrote for a previous purpose, but I thought it might be self-plagiarism if I turned it in for this class (again, this is the kind of stuff my students worry about). So I thought I’d try out some ideas in this post.

The first aspect of my teaching philosophy [Comment: This is kind of a clunky transition. Can you think of a way to introduce your topic without announcing?] is that teachers should model their expectations. If I want my students to get into the habit of consulting a manual for APA format, I should show them how to look up information in the manual, not pretend I know all the APA answers from memory because I’m the teacher. If I want my students to be able to perform a close reading of a story, it’s okay if I spend most of the class period retelling Poe’s “The Cask of Amontillado” (which I’m not sure if my students read in the first place even though I told them to) with an open textbook in front of me, pausing to ask questions (and admit that I don’t know all the answers and explain that some questions have many possible answers) and point out the kinds of literary elements I want my students to be looking for. If I don’t want my students to be on their phones during class, maybe I shouldn’t always be playing on mine while they’re taking quizzes (yikes, that’s a hard one!). [I don’t have a source for this. Can we use personal experience in this paper?]

Teachers should also make themselves available to their students, but with boundaries. [Comment: There, that’s a better transition!] During the workday, I try to respond to emails as quickly and as thoroughly as possible; I keep my office hours even though students rarely come by (and I keep my door open during office hours, which seems obvious to me but apparently isn’t universal practice), and I will always pause during class to answer a student’s question (but that’s mainly because I’m pretty sure I have adult-onset ADD and can’t ignore a raised hand). I see myself as an approachable helper, not an elusive oracle who speaks only in enigmatic proverbs. But I also set boundaries (e.g., I usually don’t check email in the evenings and on Sundays) not only for my own mental health, but also because I want my students to develop problem-solving skills and patience and learn not to panic when they don’t receive an immediate response from me. [Still no sources. Maybe I can throw in a gratuitous reference to Boundaries by Cloud and Townsend?]

Finally, I believe [Comment: No need to say “I believe”; I know you are the author.] that teachers should show the mercy and grace they have been shown. For example, the necessary flip side of my being unavailable on Sundays is that I’m usually a little lenient with Monday deadlines (shh…don’t tell my students)–i.e. if a student is waiting for a response to a question he/she emailed me over the weekend, I will usually allow that student to turn in the assignment a little late and/or resubmit it if it was submitted incorrectly. (Unless the question was stupid. Wait, there are no stupid questions! Don’t we all tell our students that? It’s mostly true.) I know some professors who approach students with skepticism (at least claim that they do so), muttering comments like “I bet his grandmother really didn’t die; he just doesn’t want to come to class.” I have to admit that I’ve had similar uncharitable thoughts before, especially about online students, whose faces I don’t see and voices I don’t hear, so it becomes far too easy to think of them as machines rather than people. That’s why I believe that it’s imperative, especially with online students, to assume positive intent and give students the benefit of the doubt. I’d rather be defrauded by one student (even though I HATE the thought of being lied to) than take a disbelieving stance toward every student. Like Albus Dumbledore, I want to believe the best about people, and it’s usually a good policy, except when hiring Defense against the Dark Arts teachers (Rowling, Books 1-7). [There! I got a citation in.]

Well, hopefully I can copy and paste some of this into my paper and just add some big words make it sound a little more academic. But would that be self-plagiarism?

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back to school

Today was the first day of classes at my new institution. Last time I wrote about the first day of classes, I wrote about being so scatterbrained that I could barely organize my thoughts for a blog post. While I wasn’t exactly a chilled-out guru sitting on a mountaintop in mountain pose with a cup of green tea today, I was considerably more focused and less stressed because now teaching is my entire job, not something I try to fit in around meetings and administrative tasks.

It’s an unusually hot day in western Michigan, and this morning it was raining, so my office has been a little damp all day. But at least it has air conditioning, unlike the room where I taught this afternoon. (There were fans blowing, but only the students who sat in the back of the room got to benefit from those, I realized when I went over to talk to one of them after class.) I like to wear a cardigan while teaching because of the pockets, so there was sweat actually dripping down my back and my legs after about an hour of class. On the positive side, my classroom has windows, and it also has an upright piano, which I doubt we’ll ever use, but it looks cool to have in the background. Actually, maybe I’ll see if any of my students can bang out a rendition of “A Mighty Fortress Is Our God” on October 31, when we have the Reformation/All Saints Day party that I really did schedule on the syllabus. (It may end up being a Halloween party as well, but I wanted to get a sense of who my students are before I start foisting pagan celebrations upon them.)

All classes here are 90 minutes long, and I was worried about filling that much time on intro day, but I neatly rounded out the first hour by taking attendance and rambling about myself, the syllabus, and the textbooks (I am a champion rambler), and then I had my students write a literacy narrative during the remaining half-hour. I’d read about literacy narratives in composition journals–apparently they are rather passe now–but I had never assigned one myself. My off-the-cuff version of the assignment probably didn’t exactly conform to the standards of the genre, but not only did it use up a good chunk of class time; reading the results also taught me quite a bit about my students as writers and readers (e.g. several of them are Harry Potter fans; some lack confidence about writing, and all of them have decent handwriting)–and my students got a 10-point completion grade. Win, win, win.

Eleven of my twelve students are women, so I promised the token male student I would not single him out in class. All but two are brand new freshmen, though a couple of them have parents who work at the university and/or took pre-term classes, which means they probably know more about this school than I do. Still, they all looked sincere and eager to learn, many of them were taking notes during my course introduction (and I didn’t penalize them for doing so, like Snape did to Harry Potter), and one of them asked approximately ten questions during the syllabus review. She apologized for having so many questions, but I thanked her and told her that others probably had the same questions. The best student feedback I received today, though, probably wasn’t meant for my ears. Before class, I heard one of the students saying to the person next to her, “I’m so excited about this class.” I don’t think I’ve ever heard a student say that about a freshman writing class. I wonder if she still felt the same way after class.

I wrote a brief note on each student’s literacy narrative, and in many of them, I asked the student to talk with me about something–not incorrect grammar or ineffective transitions, but Harry Potter, creative writing, or some other such enjoyable topic. I hope they will come see me, even the ones who are shy about their writing or terrified about starting college. Especially those ones.

I don’t have any classes tomorrow, so I’ll have time to prepare for my Wednesday classes, which I think are in a room with air conditioning. Every time I walk into a class for the first time, I’m nervous that I’ll be met with faces that are judgmental, sarcastic, or completely checked out, and occasionally that happens, but most of my students really want to be in college. I just hope that after sitting through my class on day 1, they want to stay.

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Knowing your audience

I just wrote a contribution to the Faith Learning Integration Gallery on the website of the Center for Teaching Excellence at the university where I work.  I decided to share it with you, but since I don’t want to violate the principle my essay is about–understanding and showing consideration for one’s audience–I should let you know that the originally intended audience of this piece consisted of Christian faculty members at a Christian university.  If you’re not one of those people, please don’t feel alienated if you’re not included in the “we” that I refer to throughout the essay.  I think you’ll get at least something from it regardless of whether you’re part of that audience.

In both the Center for Writing and Languages and many of the writing courses offered here at Liberty, we place quite a bit of emphasis on the genres of writing.  Not only is academic writing just one correct way to write among many, but there are also many ways to do academic writing—a research paper, a lab report, a discussion board, a conference presentation.  Each genre has its own conventions, and each is appropriate to a particular context and audience.  Trying to apply the conventions of one genre in the wrong context—for example, following the rules of the literary analysis genre while writing a legal brief—can lead to confusion for both writer and audience.

As Christians charged with communicating a message, we need to remember a similar principle.  The gospel is a constant, unchanging message that can take on an infinite variety of forms.  As is the case when choosing a genre of academic writing, knowing one’s audience is crucial when communicating the gospel.  It’s even more crucial, actually, because although there may be some general principles for sharing the gospel with a particular demographic, such as children, God speaks, and uses us to speak, in a unique way to each person.

Speaking God’s words to real, non-abstract people takes emotional intelligence.  It takes empathy.  It takes the ability to analyze a situation and choose the right course of action.  As it turns out, it takes a lot of the same qualities that make a good writer.