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my favorite fictional couples that never happened

Tomorrow is Valentine’s Day, and some of you may be feeling like your true Valentine is out there somewhere (maybe in a very specific location whose exact address or coordinates you know) and just hasn’t found his or her way to you yet.  This is kind of the way I feel about Tom Hiddleston, and I now know, since I read that article about him in GQ that came out last week, which part of London he lives in.  (Like Charles Dickens, he comes straight outta Camden.)  In honor of all of you who are feeling frustrated in love, here are a few fictional couples who never get together despite my best shipping efforts.

  1. the unnamed narrator and Frank Crawley in Rebecca.  *spoilers ahead* My book club just read this 1938 Gothic novel by Daphne du Maurier.  I described it as “creepy Downton Abbey,” so if you like stories about rich people with no jobs, and their household staff who know way too much about the family, you will probably enjoy this book.  (I also thought the writing style was beautiful, the setting haunting, and the human psychology spot-on.)  I had several theories about what was going to happen in this book, some of which were based on superficial resemblances to Jane Eyre, and all of which turned out to be wrong.  The theory that I clung to the hardest was that the narrator’s husband, Maxim, was going to either go to jail or get the death penalty for having killed his first wife, the narrator was going to realize that he never really loved her but was just using her to try to have a normal life, and she was going to end up with the longsuffering and loyal estate agent Frank Crawley, whom I pictured as the subdued and diplomatic Tom Branson of the later seasons of Downton Abbey.  It just seemed so clear to me that the narrator was much more comfortable around Frank than around her preoccupied and moody husband.  I went so far as to go back and make sure the first chapter, which occurs chronologically at the end of the story, didn’t have any proper nouns in it–“We thought she was talking about Maxim, but she could have been talking about Frank!”  I was wrong; she stuck with the wife-killer.  Poor Frank.
  2. Liesel and Max in The Book Thief.  I’ve read Markus Zusak’s remarkable Holocaust-era novel in two different book clubs, and both times some people, including myself, have stated that we wished Liesel, the book thief, and Max, the young Jewish man who hid in Liesel’s family’s basement, had gotten together at the end.  I get all the reasons why that relationship wouldn’t work: he’s older (not that much older, though); she sees him as a brother; it’s not really a book about romantic relationships, but at the same time Liesel will always carry a torch for Rudy.  I do get all that, but I can’t stand to think of Max being all alone for the rest of his life.  Liesel, we learn, marries some random guy and ends up having a bunch of grandchildren, so I’m not worried about her.  But Max is such a lonely figure throughout the book–he arrives alone; he leaves alone; he has to stay in the basement when everyone else is going to the air-raid shelter.  It breaks my heart to think he’ll have to stay that way forever.  He made you a book, Liesel.  Did your random guy do that?
  3. Harry Potter and Luna Lovegood. Speaking of the trope of marrying a random-guy-ex-machina, I’m sure I’m not the only Harry Potter fan who used to think it was a total copout when J.K. Rowling declared that Luna Lovegood, one of my favorite fictional characters of all time, ended up marrying some guy named Rolf Scamander.  Now that I know and love Newt Scamander, I guess I’m okay with Luna marrying his grandson.  But still, like everyone else, I wanted her to get together with Neville.  And yet, there’s a part of me that also thinks Harry and Luna would have been a great couple.  I think she would have helped him not to take himself so seriously, and he would have helped her get some street cred at Hogwarts (not that Luna cares what people think of her).  They have some sweet exchanges in the books (like when Luna tells Harry about her faith that she’ll see her mother again) and the movies (like when Luna says that hanging out with Harry is “kind of like being with a friend,” and Harry says, “I am your friend, Luna”), and I think this mutual kindness and confidence could have gone somewhere romantic.

I’d love to hear about your adventures in shipping.  Meanwhile, don’t forget that chocolate goes on clearance February 15!

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This is going to make a good story.

Last Tuesday night–Wednesday morning, technically–between 2:00 and 4:00 am, I found myself driving around Bedford and Amherst counties, including brief stints on the Blue Ridge Parkway and the ominously named (and very dark and narrow) Father Judge Road north of Madison Heights.  I saw a lot of deer and a raccoon, and I almost hit a small waddling creature that I didn’t have time to identify.  This isn’t the place to go into why I was doing all this nocturnal driving, but I assure you that it was all legal and mostly safe, and I wasn’t up to anything unsavory.  My point in sharing about this adventure is that although I was in a constant state of frustration, with occasional moments of mild terror, a small part of me–the creative part–was having a good time, because it kept thinking, “This is going to make a good story later.”

Because I spend a large percentage of my waking time reading, watching, and interpreting stories (and some of my sleeping time dreaming stories–I had a really stressful one after going back to bed at 4:08 Wednesday morning), I tend to see my own life as a narrative, with some experiences standing out as particularly excellent story material.  I’m a pretty decent storyteller, I think (actually, someone told me that last week, and I was flattered), and I have to admit that I enjoy keeping an audience entertained and feel like I’ve failed when my stories don’t have the impact I’d imagined they would.  And of course, there’s always a temptation to make my stories a little bit funnier or more shocking by altering events a bit.  Telling stories always involves editing–deletion, highlighting, etc.–but I try to avoid crossing the line into fabrication, not least because I find it satisfying to think that my real life (just like your life, reader) is stranger than anything I could make up.  I don’t think it’s an accident that some of my favorite–and most popular–blog posts have simply been stories about stuff that happened to me, like when I almost choked on the fumes of some spicy soup I was cooking or when I got angry and went all Hulk in my office.

Another occupational hazard of being a storyteller, even an amateur one, is the compulsion to come up with a lesson at the end of every story.  So bear with me while I draw a spiritual parallel here: We can see our lives as a lot more bearable, exciting, and significant if we keep saying to ourselves, “This is going to make a good story later.”  One of the hallmarks of a Christian worldview is the idea that God has written and yet somehow still is writing a story in which our planet is a major setting and every human being is an important character.  The theological implications of this are too gigantic to even be broached in a short blog post like this, but I’m just asking you right now to think of yourself as a character in a story.  That means a number of things: the decisions you make are significant, you are significant, and there’s more story to come.  Isn’t that exciting?  Even more exciting than a 3:00 am drive on the Blue Ridge Parkway, I’d say.

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my thoughts on the Oscar nominations

If you’ve been reading my blog long enough, you know that most years, I have at least a bit of commentary on the Oscar nominations.  I don’t predict the winners–it’s too early to do that anyway, and I don’t have the magic formula–but I like to throw in my two cents about whom and what I hope will win.

  1. Best Picture: This is an unusual year in that I had already seen three of the Best Picture contenders before the nominations were even released.  I’ve already shared my thoughts on Hacksaw Ridge in this post.  The other two I’ve seen are La La Land and Manchester by the Sea, two excellent films that are polar (or at least West Coast/East Coast) opposites in setting, aesthetic, and topic, but that both deal with the theme of rebuilding a life from the ruins of hardship and disappointment.  I’d be happy if either of those won the top prize.  Hacksaw Ridge won’t win it–because of its subject matter, its director, and its fairly conventional story trajectory.  Speaking of conventionality, I was surprised to see Hidden Figures on the list because the trailers made it look like a standard feel-good movie.  Trailers can be misleading, though.  As for the other nominees, Fences looks like the kind of emotionally raw family saga that the Academy loves, Arrival looks like one of those surprisingly deep space travel movies we’ve been seeing a lot of in recent years (Gravity, Interstellar, The Martian), and the other three I have nothing to say about because I know next to nothing about them.
  2. Best Original Score: This is typically one of my favorite categories, but this year, with the exception of La La Land, it’s a total snoozefest so far–I say “so far” because I’ve been listening to all of the scores on Spotify throughout the day, and I just (like 30 seconds ago) started the last one, Passengers.  (I have hope for this one because it’s by my favorite film score composer, Thomas Newman.)  La La Land, as we would expect from a movie about music, has a very good score–it’s peppy and poignant by turns in all the right places.  One film whose score I would have included, if I’d been asked, would have been Manchester by the Sea.  Maybe it was left out because some of the finest musical moments in the film were not original at all but from Handel’s Messiah and other classical works.  But the original portion of the soundtrack was beautiful and unexpected for this understated story (it’s mostly choral, which gives the film a sacred quality).
  3. Miscellaneous categories they sneak in near the beginning of the broadcast when I’m out in the kitchen getting snacks: Know what else had a really good score?  My favorite movie of the year, Fantastic Beasts and Where to Find Them.  James Newton Howard didn’t get nominated in that category, but the film did get nods for Production Design (formerly known as Art Direction) and Costume Design.  I think it’s significant that it was nominated in these categories rather than in those where we often see fantasy/franchise films, such as Visual Effects and Sound Mixing.  This seems to be another indication that the Harry Potter franchise is growing up–the Academy sees Fantastic Beasts as a period piece, not a special effects blockbuster.  By the way, I was cherishing a secret hope that Eddie Redmayne would get nominated for Best Actor for his third year in a row.  Alas.
  4. Best Animated Feature: I’ll close with this: One of the best films I saw in 2016, categories be darned, was Zootopia.  It dealt with serious current issues in a complicated, far from heavy-handed way, and it was that rare animated movie that remained a kids’ movie even while appealing to adults.  It should have been nominated for Best Picture, but I hope it at least wins the animated feature category.

I’ll probably blog about my reactions to the winners on February 27.  Meanwhile, what are your thoughts on the nomination slate?

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a story about my hands

I don’t normally write product reviews on my blog–this isn’t that kind of blog (though, in fairness, it is hard to say exactly what kind of blog this is).  But I recently came across a product that has so astonished me and enriched my life that I feel it would be wrong of me to keep it to myself.  However, in keeping with the literary nature of this blog, I will tell you about it in the form of a story.

Once there was a woman whose daily labor was almost entirely intellectual.  She got occasional opportunities for salutary manual labor, as when she had to replace a heating element in her oven or shovel the snow out of her driveway.  But most of her work consisted of teaching, typing, and thinking deep thoughts (well, some days she got to do that third thing).  Therefore, one might have expected her hands to be soft and smooth, the kind of hands that an upper-class woman in a Victorian novel would be proud of.

However, for at least six months out of the year, her hands were as red, rough, and raw as those of one of those slipshod, loud-voiced women (fishwives or washerwomen, they usually are) who live in the seedy and morally questionable tenements of a Dickens novel.   She never knew exactly what caused this–poor circulation, possibly–but no matter what she tried, her hands cracked, stung, and bled. She tried all the hand creams, from the aesthetically pleasing but largely useless Bath and Body Works kinds to the evil-smelling medicated kinds that surely were too nasty not to work.  She went to bed with her hands coated in Vaseline, wearing handbell gloves to keep it from getting on the sheets, and although she found some temporary relief here, in a few hours after waking up she was back to looking like a bloody-knuckled butcher.  She wore gloves every time she ventured outside from November through March, which probably did prevent her from losing any fingers due to frostbite, but it’s quite possible that the wool or synthetic material of the gloves actually exacerbated the persistent problem.  Unfortunately, she also had a habit of wearing “statement” rings, bracelets, and other jewelry that drew attention to her back-alley prizefighter paws.

Then, she learned of a product called O’Keefe’s Working Hands.  (To be precise, if this didn’t ruin the timeless quality of the story, I would tell you that her mother came across the product while searching for severely dry hand remedies on her smartphone.)  This odorless, non-residue-leaving, waxy paste comes in a shallow green tub and is said to be able to heal serious cracks and callouses in the hands of people who actually do manual labor for a living.  So of course, my hands (for this story is, indeed, about me) were no match for it.  I have been using O’Keefe’s since late December, and my hands are smooth, soft, and possibly even attractive.  I still occasionally use a more standard hand cream, just for good measure, and I wear my handsome gray driving gloves when I go outside.  But it’s the O’Keefe’s that makes the real difference.  The truly amazing thing is that I don’t even put it on every day–only when I happen to glance down at that lovely green container on my nightstand and think, “Oh, maybe I should put some of that on.”

The moral we can draw from this story: If you have dry, cracked hands and have never found a satisfactory remedy, try O’Keefe’s Working Hands.  I’ve seen it at Walmart and Food Lion, so I’m guessing any standard grocery or drug store will carry it.  It can also be ordered online.

The End

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This is my brain on the first day of classes.

Although I warmed up by teaching an intensive class last week, nothing ever really prepares me for the first day of a semester.  Today, after teaching a maxed-out children’s lit class (there’s a waiting list–not because of my popularity, but because it’s a required course for education majors), conducting a meeting while hungry (I hate that), and answering the emails that kept pouring in–plus the ones I neglected over the weekend–I barely have enough brain function left to make a cup of tea, let alone craft a memorable blog post.  But I think it’ll be easy enough to list some of the things that made me happy over the weekend and today.  So here we go.

  1. Saturday-Sunday, I went camping, backpacking (though I barely carried the pack a quarter of a mile, since our campsite was so close to the car), and scrambling up a popular local rock face known ominously as Devil’s Marbleyard.  Although I love hiking and being outdoors, I’ve rarely camped and never backpacked. Fortunately, I was with a friend who is a certified wilderness EMT and adventure guide and I don’t know what else, so she showed me how to set up a tent, boil water for hot chocolate (very important) in a Kelly Kettle, and wash dishes with hippie soap (it seriously had hemp in it) in a freezing cold creek by the light of a headlamp.  The part I was most worried about was staying warm at night, but with a zero-degree sleeping bag and a lot of those Hot Hands packs that are popular with hunters at this time of year, I was downright cozy.  As for scrambling up the rock face, I just pretended like I was Frodo or Sam traversing the Emyn Muil–just without the elven rope.
  2. Last night I went to see Hacksaw Ridge (side note: I went out last night wearing leggings as pants, and I was regretting that style choice all the way to the theater and thinking, “Wow, I’ve really let myself go.”  Immediately after getting there, I saw at least three women wearing leggings as pants.).  If all you’ve heard about Hacksaw Ridge is that Andrew Garfield has a bad accent in it (he really doesn’t, though, and he is adorable), you should give it a chance.  It’s about Desmond Doss, a WW2 medic who refuses to carry a gun due to his religious convictions and past traumas, but ends up saving dozens of lives in one night, under relentless attack, through his (figuratively) insane work ethic and (literally–almost) insane fearlessness.  It was especially poignant to watch the film in Lynchburg, VA, where Doss grew up.  (We actually drove on the PFC Desmond T. Doss Memorial Expressway while coming back from the mountains yesterday.)  If you think you’ve seen enough WW2 movies, see this one anyway; you’ve probably never seen one about a conscientious objector.  They tend not to make movies about conscientious objectors.
  3. After the movie, I rushed home to watch the second half of the Steelers-Chiefs game.  I rarely write about football on this blog, and I won’t take the time to start now, but since I’m listing things that have made me happy, I’ll just say that I’m happy that the Steelers won–and, like all good Western Pennsylvanians, sick with apprehension about next week.
  4. Finally, my students, as they so often do, have made me happy today.  My children’s lit students seem to think I’m a comedienne (I try), and most of them appear to be totally on board with the Walt Disney World-style character breakfast I’m planning for the last day of class.  Meanwhile, a student from last week’s class sent me a Harry Potter article and a recording of Neil Gaiman reading A Christmas Carol, and he told me that I’m currently his go-to person to discuss Harry Potter with.  Just what I’ve always wanted to hear.

Time to go outside and try to clear my head with fresh air.

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my discussion board post

I’m teaching my first real graduate class this week (it’s in a one-week intensive format), and let me just tell you that I’ve been having major imposter syndrome (i.e., that voice in your head that tells you you’ve fooled everyone into believing you’re smarter than you actually are and that the truth is about to come out) all weekend and into today.  Fortunately, these graduate students are kind and understanding and (since most of them are graduate student assistants) know something about feeling unprepared to teach, so today went pretty well.

I teach at a Christian university, and tonight I’m having my students write a discussion board post about how their Christian worldview impacts their scholarly career.  (These are English M.A. students, many of whom will go on to careers in academia.)  So I thought I, too, should do what I’m asking them to do, but since I don’t want to crash their creative party by becoming the awkward authoritative presence in the virtual room, I’m writing my thoughts here.

  1. How my Christian worldview has impacted me as a writer and researcher.  As Gilderoy Lockhart once said, “For full details, see my published works” (flashes award-winning smile).  All I mean by that is that I won’t take the time to go into great detail here because I’ve already written about this at length in the introduction to my dissertation.  In summary, I said that I’m more comfortable than a secular scholar would be with talking about authors as real personalities, not merely constructs, because I believe that God, a very real personality, inspired the Bible and had a clear authorial intent in mind when he did so.  Therefore, even though I know that a degree, perhaps a large degree, of uncertainty is inevitable when we interpret texts (even when we interpret the Bible with our finite rational capabilities), it is imperative that we respect the text–any text–and its author and do our best to understand the intention, even if we don’t agree with it, and even if we see interpretive possibilities that may not have been in the author’s conscious thought.  That’s not a popular view in literary criticism, but I think it’s a Christian view.
  2. How my Christian worldview has impacted me as a teacher.  In many ways, I hope!  I hope my Christian worldview, along with the Holy Spirit inside me, has helped me to see the value of all students, to be patient with them, and to listen to them before I start telling them what I think they should think.  (I don’t always succeed at all of this.)  I know my Christian worldview has helped me to see teaching as a meaningful calling, not a frustrating but necessary side effect of being a scholar.  My Christian worldview also has a direct impact on what I say in class, something I’ve been focusing on more deliberately in the past few years as I’ve come to realize that not all of my students a) are Christians and b) understand the Bible and their faith well.  I teach English, not theology, but there are so many opportunities to speak Jesus’s name and the truth of the gospel in my classes, whether we’re looking at the triumph of grace over law in The Lion, the Witch and the Wardrobe or the resurrection symbolism in Much Ado about Nothing.  (A lot of the depressing short stories I assigned in English 102 were great purely for their clear demonstration of how badly sin has messed up our world.)

There it is, my discussion board post.  I’ve written twice as much as I asked my students to write, but we teachers are known for being a bit long-winded. 😉

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for your New Year’s resolution to read more children’s lit

Because if that isn’t one of your New Year’s resolutions, it should be.

When I was grading my children’s lit students’ response papers on contemporary realism, for which at least five of them chose to write about Louis Sachar’s Holes, I realized that I had never read this novel, though I had seen the 2003 movie (which is excellent, and which I’ll address shortly).  So during my Christmas break, I decided to spend an afternoon reading it.  Now, I’m pretty sure I’ll use it as an assigned text if I teach the course again next fall.  Let me tell you why Holes is so good.

In slightly over 200 pages, Sachar weaves a five-generation family saga together with a hundred-year-old mystery and the story of a teenage boy’s developing self-esteem and moral consciousness.  In the process, he meaningfully addresses the penal system, homelessness, and race relations in America.  Yet there’s nothing pretentious or alienating about this novel.  It’s exciting, it’s funny, and it’s perfectly pitched toward that elusive reading demographic, elementary to middle school-aged boys.

When I get around to teaching Holes, I’ll have to comb through it to find all the symbolism, parallelism, and other literary devices that Sachar uses in such a not heavy-handed way.  For now, here’s one example: the situational irony.  I love the little detail at the end of the novel that tells us that Camp Green Lake ends up turning into a Girl Scout camp, a wonderful conclusion to all Mr. Sir’s lame jokes about how it isn’t a Girl Scout camp.  As ironic reversals go, this ranks right up there with Haman’s nasty shock in the book of Esther, my current go-to example of situational irony.

I’ll also have to find time in the course to show the movie, which is one of the most faithful page-to-screen adaptations I’ve ever seen (not that I valorize faithfulness; I understand that books and films are two totally different media), probably because Sachar himself wrote the screenplay.  (He also appears in a brief cameo–he’s the balding guy that Sam the Onion Man tells to rub onion juice on his scalp.)  One thing I appreciate about the film is that all the characters from the book are in it; none of them are collapsed together for simplicity’s sake, as so often happens in adaptations.  I also think it’s important that each of the actors who portrays one of the boys in D Tent is the same race as the character in the book, since race is such a major (though relatively subtle) theme in this novel.

The one place where the movie diverges significantly from the book is also one of its areas of strength: the casting of the protagonist, Stanley Yelnats.  Shia LaBeouf plays this role with great sensitivity and humor (whatever he may be now, Shia used to be a really good actor), but he doesn’t fit the novel’s description of Stanley as a very overweight kid.  Stanley’s weight is important to the themes and even the plot of the novel, and it adds painful overtones to scenes that are already emotionally fraught (like when ZigZag tries to force Stanley to eat his cookie).  I wonder if some young fans of the novel were disappointed that the movie didn’t address this element–especially, perhaps, some kids who identified with Stanley.  I was a little disappointed myself, but it’s my only complaint about the film.

In conclusion, you should read Holes, watch the movie, and let me know what you think.  And get working on that New Year’s resolution.

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some random questions for Christmas

In which I interview myself.

If you could design a Christmas t-shirt, what would it say?  Bob Cratchit: Straight Outta Camden.

If you could spend Christmas with any fictional family, what family would you choose?  I borrowed this question from another blog I looked at over the weekend, but it’s something I’ve thought about before–not that I had to think very hard.  The only correct answer to this question (and a total no-brainer if you’ve been reading my blog over the years) is “the Weasleys.”  However, I did see Fantastic Beasts again today, and I have to say that if for some reason I couldn’t Apparate across the Atlantic for Christmas, it would also be fun to spend Christmas with Tina and Queenie Goldstein–if Newt and Jacob could also be there, and if we could have pie and strudel.

What holiday season song bothers you the most?  Please indulge me in a rant on this one.  I am deeply troubled by the song “Baby, It’s Cold Outside.”  It used to bother me because although it gets classified as a Christmas song, it’s merely a cold weather song.  People in Australia could sing it in August.  But then someone pointed out to me that this song appears to describe a man keeping a woman in his home against her will.  You can call it an attempt at date rape or a hostage situation–either way, there’s nothing cute or clever about it, and it really annoys me that singers who think they are cute and clever are still covering it.  You can try to explain the lyrics away as the product of a simpler time, but what are you going to do with the line, “Say, what’s in this drink?”?  Slipping drugs into a person’s beverage was never okay.

Let me contrast this song with another one that presents a similar scenario: “Let It Snow.”  In this song, the two characters appear to be mutually consenting adults who actually like each other, unlike in “Baby It’s Cold Outside,” and they face a far more challenging weather prognosis (cold is only dangerous if you have to spend the whole night outside, whereas snow can cause decreased visibility and hazardous road conditions).  Yet, after a nice evening enjoying popcorn in front of the fire, one of them is mature enough to say, “I’ve had a lovely time, but I am now going to get in my four-wheel drive vehicle and safely drive home before this snow gets worse.  How about you give me a big kiss and a hug to keep me warm on my way?”  Yes, the line “The fire is slowly dying, and my dear, we’re still goodbye-ing” may indicate a reluctance to part, but again, this reluctance seems to be mutual.  There is no coercion here, nor any guilt-tripping.  (Contrast this with the part in “Cold” when the man says, “Think of my lifelong sorrow.”  Gag me.)

(takes a deep breath) Okay, we can move on to the next question.

What charming Christmas comedy have you discovered in recent years?

How did you know I’d recently discovered a charming Christmas comedy?  Well, last year I came across Nativity! in which Martin Freeman plays a put-upon grade-school teacher directing a nativity play that gets way out of hand.  Martin Freeman is delightful as always (I think I’ve used that exact same adjective to describe him at least once before on this blog), and the kids, who seem to be “real” people rather than actors, are hilarious.  So is Mr. Poppy, the teacher’s aide who is basically a child himself.  Check this one out.

 

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Advent week 4: What Christmas hymns teach us about Jesus

Something that always kind of shocks me is the number of straight-up hymns (multiple verses!) that get played on the radio during the Christmas season–and I’m talking on your average pop/soft rock “mix” station.  I’m happy that Jesus’ name is getting so broadly proclaimed during this time, even if it’s confusingly thrown in with a lot of really stupid songs (which I plan to post about next week), but I wonder how many people understand the sometimes complex theology they’re hearing.  Today I want to write about just a few of the things we learn about Jesus from some of the great Christmas hymns.

  1. Jesus is God, and he didn’t stop being God when he was born as a human.  Appropriately, Christmas hymns are packed with statements of the divinity of Christ.  Some go a little too far in asserting this, like “Away in a Manger” (“no crying he makes”?  He was a baby; pretty sure he was crying), but others hit the mark in beautiful statements like “Veiled in flesh the Godhead see / Hail the incarnate Deity” (from my favorite Christmas hymn, “Hark the Herald Angels Sing”) or simply “the Word made flesh” (a direct quote from the gospel of John, found in a later verse of “What Child Is This”).
  2. Jesus knows what it’s like to be us.  Also appropriately, many Christmas hymns are about God the Son’s humbling himself to dwell with us (any song with “Emmanuel” in it counts here) and his sympathy with our pain and frailty.  “O Holy Night” says that Jesus was “born to be our friend” and then goes on to say that “he knows our need / to our weakness is no stranger.”  “Hark the Herald Angels Sing” is, again, a little more complex: “Pleased as man with man to dwell, Jesus our Emmanuel.”  All the songs that talk about Jesus’ humble surroundings at his birth also fit in here; one of my favorite descriptions is from the beautiful Appalachian song “I Wonder As I Wander”: “When Mary birthed Jesus ’twas in a cow stall / With wise men and farmers and shepherds and all.”  Farmers–that word choice brings the story close to home for a lot of people.  Jesus could have been born down the road from here.
  3. Jesus is coming back to rule the world.  As my pastor pointed out a couple of weeks ago, one of the best-loved hymns of Christmas, “Joy to the World,” is actually, for the most part, about Jesus’ future second coming.  We see this especially in the last verse, which begins, “He rules the world, with truth and grace.”  Of course, this is also what Handel’s famous “Hallelujah” chorus is about.  The other day, it occurred to me that when Handel’s Messiah was first performed, there probably were some lords and at least one king in the audience, which makes the repeated line “King of Kings and Lord of Lords” all the more impressive.  In fact, according to legend, it was a king who started the tradition of standing up during the chorus.  Wikipedia says this story probably isn’t true, but what’s not in doubt is that Jesus is superior to all “principalities and powers” as the New Testament says.

I hope that over the next few days, you hear some of these songs (maybe on one of those normally lightweight radio stations) and maybe even get to join a congregation in singing them.  As you sing, think about the words and what they tell us about Jesus, our God, friend, and king.

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Advent week 3: Christmas rituals

Last week, actual tears came to my eyes while I was writing my blog post, and I don’t feel like going through that emotional wringer again (plus I can’t think of anything profound to say this week), so I’m going to write about something more fun.  But first, I have to tell you about a book I checked out of my church library.  It’s called Simply SenseSational Christmas.  The title, interestingly enough, isn’t the cheesiest thing about the book.  Let’s just say that it savors strongly of the 1990s, when it was published.  But although the hip DIY bloggers of 2016 might sneer at much of this book’s aesthetic, its central points are perhaps more relevant than ever: 1. Christmas is about the time when God was born in a stable, so stop stressing yourself out trying to have the perfect showplace home, and 2. Appealing to all five physical senses is possibly the best way to create a memorable, delightful, and even worshipful experience for yourself and your loved ones at Christmas.  The book goes on to offer simple strategies like scattering a handful of cloves around candles so that they give off a spicy, festive scent when they get warm.  This might not be life-changing stuff–then again, it might.

This book has got me thinking about some of the rituals, most if not all of them involving the physical senses, that I enjoy in my own home each Christmas.  This is the second Christmas I’ve spent in my house.  Before that, I was renting an apartment, and while I enjoyed some Christmas rituals there too, there’s something special about celebrating in one’s very own home.  (I also enjoy a number of Christmas rituals in my parents’ house, where I always spend the actual day of Christmas and usually the week or so before and after it, but those aren’t the subject of this post.)  Here are some of them.

  1. I have a number of Christmas albums in my iTunes library, including some that I’ve been listening to with my family since childhood (The New Young Messiah) and some that I’ve acquired in recent years (Christmas at the Renaissance Fair by Moat Jumper–exactly what it sounds like).  I start listening to these while I’m decorating on December 1, and I usually get through the whole collection about three times during the Christmas season.  I also have some individual Christmasy tracks from other albums that I include in the rotation, such as Ralph Vaughan Williams’ “Fantasia on Greensleeves” and John Williams’s “Christmas at Hogwarts” from the Harry Potter and the Sorcerer’s Stone soundtrack.  I also like to listen to the Nutcracker suite on record #12 of the Festival of Light Classical Music record collection I bought at Goodwill last year for $2.50.
  2. I light candles like a pyromaniac all year, but at Christmas, it really gets out of hand.  I go through tealights like my family goes through toilet paper at a large gathering.  The last year I lived in the apartment, my neighbor made me a lovely set of candleholders created from upside-down stemware decorated to look like Santa Claus, a snowman, and other festive characters.  I also have a balsam-and-cedar scented large Yankee jar candle that almost compensates for the fact that my 1.5 trees (I have a big one in the living room and a little one in my home office) are artificial.  My Pier One Holiday Forest room spray, a gift from a friend last year, also helps.
  3. I love mail.  I check my mailbox obsessively on Saturdays when I’m home to check it, and I actually have a real honest-to-goodness pen pal.  So it’s no surprise that I enjoy sending Christmas cards.  I love writing in them (even if it’s just a simple “Love, Tess”), sticking Christmas seals on the envelopes, and putting a big fat stack of them out in the mailbox.  In turn, when I receive Christmas cards, I hang them with tiny clothespins on twine in the corner of my entryway.  It’s an easy and beautiful decoration, especially when I get cards with gold on the front, which catch the light from my many candles and my tree lights.

I could go on–I haven’t said a word about food–but I think you get the idea.  These rituals are so common as to sound almost banal, but they’re meaningful to me.  I’m sure you have some that are meaningful to you.  Feel free to share in the comments!