I don’t like me when I’m angry.

People don’t believe me when I say this, because I’m usually quite good-natured, but I get a bit violent when I’m angry.  My bursts of anger are quite brief–I don’t hold grudges–but my blood pressure shoots up dramatically, and I tend to react physically (or at least to want to react physically).  In other words, I turn into Little Hulk.  I say “Little” because I am about five foot two or three and not very strong.  That’s why people tend to think it’s funny or cute when I yell or punch a desk or jump on my sister (I did that several times when we were roommates).  I agree that it makes an amusing story, but ultimately it’s not very cute or funny, and here’s why.

1. Someday, I will probably have people in my life who are smaller than I am and whom I could actually hurt–i.e., children.

2. Anger gives me a temporarily useful adrenaline rush (I packed up my entire office in about an hour this morning when I was mad about a dumb thing, which I am now over), but I’m pretty sure it has negative physiological effects in the long term.  See, for example, my comment above about blood pressure.  I think people can also get ulcers from being angry too much.

3. Although, as Jesus demonstrated, righteous anger is…well, righteous, 99.9% of the time my anger has no such just cause.  Usually I’m angry because things aren’t going according to my selfish, carefully-constructed plan.  And that kind of anger has bad spiritual and relational effects on me and everyone around me.

So, although they asked me if I wanted to replace Mark Ruffalo in the next Avengers movie, I turned down the offer in order to preserve my holistic well-being.  Hey, don’t laugh; I think I’d be pretty believable.  It’s all CGI anyway, right?

my continuing Dickens obsession

I have an ongoing love for Charles Dickens, but my devotion sometimes hits these especially high peaks, and I’ve been on one of them for the past couple of weeks.  I finished reading A Tale of Two Cities last weekend (see my last post for an earlier observation), and I read A Christmas Carol yesterday and today.  (Of course, this wasn’t my first time through either book.)  I can’t wait to lead a discussion of Carol at the Liberty University Bookstore on December 2.  In the meantime, I’ve engaged in two particularly nerdy expressions of my love for Charles.  Please enjoy.

1. The story of Jerricho Cotchery.  I’ll try to make the frame narrative short: I’m eating out with two of my work colleagues, and there’s a Thursday night football game on TV.  One of us mentions McSweeney’s delightful piece called “NFL Players Whose Names Sound Vaguely Dickensian.”  Later I look up at the game and notice Jerricho Cotchery, who catches my eye because he’s a former Steeler (current Panther).  I realize that if Jerricho Cotchery were in a Dickens novel, he would definitely be a Methodist minister.  He would have a lean and starved appearance, and his ears would stick out from his head at exaggerated angles.  When he preached, his voice would take on a ranting cadence.  Then my co-worker/friend Kristen and I rapidly concoct a plot in which Dickens attempts, unusually for him, to sympathize with a Methodist minister.  I wish I’d written down some notes from this impromptu creative session, but I do remember that Jerricho Cotchery is in love with a happy, useful, and modest young parishioner named Evangeline, and that in the past he did some undefined injustice to Oliver Twist, for which he now feels horribly remorseful.  I hope to return to this story at some point, so if you have any good ideas for Jerricho, let me know in the comments.

2. The Sydney Carton playlist.  I’m really obsessed with A Tale of Two Cities right now.  I went so far as to make a Spotify playlist for Sydney Carton, and it’s a far, far better playlist than I have ever made.  (Actually, it’s my first Spotify playlist.)  You should be able to find it by searching “Sydney Carton.”  If you find a 10-song playlist by Tess Stockslager, you’ve got it.  Here’s your guide to the songs: The first four are anthems for a wasted/purposeless life, with a particular emphasis on songs about drinking, because–let’s face it, friends–Sydney is an alcoholic.  The next three songs are about unrequited love and/or heartbreak; I think it’s pretty clear why those are on there.  (As Lucie says at one point, “He has a heart he very, very seldom reveals, and . . . there are deep wounds in it. . . . I have seen it bleeding.”)  The next two are about people deciding they don’t want to waste their lives anymore; this corresponds to that point in ATOTC when Sydney starts hanging out with the Darnays in the evening instead of with his stupid boss/”friend”/enabler Stryver.  And the last song is about what Sydney wants to do, and finally succeeds in doing, for Lucie and her family.

So, put on the playlist, and get ready to dance, then cry, then dance again, then cry again.  Or, put on the playlist and read A Tale of Two Cities.  And while you’re at it, don’t forget about Jerricho Cotchery.

world’s quickest interview, with Penelope Clearwater

Anonymous Interviewer: So, Penelope, are you ever going to post on your blog again?

Penelope Clearwater: Yes.

AI: Ok, good.  Like, when you watch another good movie, or…?

PC: When I finish my dissertation.

AI: Oh!  And how much of that do you still need to write?

PC: In the body proper, about 17 pages.

AI: Cool!  I’ll let you get back to that.


Penelope Clearwater will return in An Epic Celebration.

 

My belated Oscar wrap-up

It’s been nearly two months since the Academy Awards aired, but I’ve been mentally reliving the event a bit recently, not only because I’ve finally gotten around to watching several of the Best Picture nominees, but also because I read a brief “news” article yesterday in which Jared Leto said that his Oscar statue is all sticky and gross because his apparently grubby friends have been playing with it. And these are the people we admire and aspire to be like. Anyway, in place of a traditional recap, which would be pointless by now, here is a stream-of-consciousness presentation of some of my thoughts during and after the ceremony.

As I look into Jared Leto’s beautiful yet strangely vacant eyes, I wonder if he’s shown up to the Academy Awards as stoned as the character he won his Oscar for portraying (a person called Rayon, frequently stoned, and appearing for much of Dallas Buyer’s Club in a covetably comfy-looking pink cable-knit bathrobe).  But no, surely not, since he’s accompanied by his mom.  And his acceptance speech is lucid–not brilliant, but lucid, a high compliment indeed on this night.  I mean, the literal kind of “high.”

Thinking about Best Supporting Actor nominees accompanied by their moms turns my thoughts toward Jonah Hill, and I think to myself that someday he is going to be a real contender for this category and not just a person that the presenters make gratuitous comments toward because they feel charitable toward him because he is less sexy than they are.  And he is going to win, and he is going to throw his Oscar in their stupid condescending faces.

Then I wonder why I am throwing so much imaginative energy into my Jonah Hill revenge fantasy, and I realize that it’s because I’m bored, because essentially none of my favorite actors are here.  This has a lot to do with the fact that most of my favorite actors are British and obviously couldn’t make the long trip to Los Angeles.  Or, more likely, they weren’t invited.  If you are an actor from the UK and you want to be made much of at the Oscars, you have to either 1) be Colin Firth, although even that doesn’t work every year, 2) be old enough to be an institution, or just not dye your hair, so that people think you’re old (that’s you, Helen Mirren), 3) always play Americans, like Christian Bale or last year’s Best Actor Daniel Day-Lewis, or 4) find your way into a small role in pretty much all of the Best Picture nominees, like Benedict Cumberbatch did this year (okay, I think he was in two of them).

*Long mental digression while I calculate the odds of Martin Freeman ever being an Oscar nominee*

My guests are gasping, and I gradually realize it’s because they think Ellen Degeneres is being “mean.”  And I’m thinking, did you ever see Ricky Gervais host the Golden Globes?  This is like Mr. Rogers’ Neighborhood in comparison.

Which brings me to the pizza interlude.  There is a lot of debate about how spontaneous, hence “authentic,” this actually was, but that’s not the question that captivates me.  My question is: Do these people actually eat pizza?  On paper plates, no less?  The possibility boggles the mind.  One of the actors we saw ostensibly preparing to eat pizza was Brad Pitt.  It’s true that Brad Pitt is seen constantly eating food in many of his movies (e.g., Meet Joe Black, in which he develops an obsession with peanut butter), but I guess I just assumed he spit it out after the take.  Did Angelina make him spit his pizza out during the commercial break?

These, thank goodness, are not questions that keep me up at night.  However, this is: What in the world was Matthew McConaughey talking about?

 

a cousin story

On a roll, I wrote another scene for the piece I mentioned in my last post.  I’m calling the overall piece Cousin PercyAfter reading this scene, you will have met all the cousins except for Peter, the one who’s still in college.  I intend for quiet, self-effacing Peter to be the one who unexpectedly breaks through to the frustratingly uncommunicative Percy, but I haven’t quite developed that idea yet.  In this scene, you’ll see just how frustratingly uncommunicative Percy is.  You need to know that Percy doesn’t yet know that Harry was once married and has a rather sad back story.  He thinks he’s got Harry all figured out.  This scene is shorter and, I think, funnier than the last one I posted, but you should still be able to feel the underlying tension.  By the way, I promise that my next post will be on another topic.

Three nights before Christmas, Harry Sinclair sat in a dim, deeply-recessed booth in the corner of the pub nearest the door, nursing a bottle of cream soda and watching the acoustic band intently.  During a particularly loud moment in one of the American folk songs the band was valiantly plowing through, his cousin Percy, whom Harry had known for exactly four days, approached the booth, carrying a pint and wearing the leather jacket that, Harry had already decided, made him look like a Liverpool dockworker circa 1959.

“This is the only empty seat in the place,” said Percy by way of explanation.

“Well, sit down!” said Harry in an unnecessarily expansive voice that sounded, to both men, a bit false.  “What brings you here on this cold evening?”

“Why does anybody come to a pub?” Percy replied flatly as he sat.  “Having an ale.  What are you doing here?”

“Why does anybody come to a pub?”  Harry paused before continuing, “I’m spying on my employee.”

Percy grunted into his pint, possibly indicating interest.

Harry took the indication and ran with it.  “He’s the one on the stool at the front of the band, playing the guitar.”

“The fat kid?”

Harry rolled his eyes.  “Totally unnecessary, but yes.  He’s the portly chap who’s singing right now.  That’s Sam.  He helps me out at the shop.”  Harry made a slight confidential lean toward his cousin; Percy made no response of any kind.  “So I’ll say to him at the end of the day, ‘What are you doing tonight, Sam?’  Just making conversation.  And he’ll always say something like, ‘Oh, I guess I’ll just go home and watch TV.'”  Harry said this in an exaggeratedly glum voice.  “Only he’s a Scotsman, but I can’t do his accent right.”

Percy cleared his throat, which Harry took as another sign of engagement.  “So the other night, I’m leaving the shop, and I see him sneaking in here with a guitar case like he’s about to do a drug deal.  So I said to myself, I can be sneaky too, and the past few nights I’ve been hiding in this booth, thinking, hey, this kid has got some talent.  But the next day, not a word about it from either of us.  So tell me, why do you think he’s trying to hide this from me?”

Percy took a swig of ale and said nothing.  Harry sighed.  “Did you hear anything I just said?”

The cousins stared at the band for a few minutes before Percy looked down and asked, incredulously, “What are you, having a cream soda?”

“Yes, I’m having a cream soda,” Harry replied, glad his cousin was making an effort at conversation.

“Don’t you drink, or what?”

“No, I don’t drink anymore.”

“What were you, a wino or something?”

“I wasn’t a wino,” Harry retorted, beginning to think the uncomfortable silence was preferable.  “I just don’t like myself when I drink.  I’m sarcastic–and obnoxious.”

Percy snorted.  “Only when you drink.”

Harry turned in his seat, trying to force his cousin to make eye contact.  “Well, I think that’s a pretty rude thing to say considering you hardly know me.”

“Oh, I know you,” Percy said into his glass, not looking at Harry.

Harry clenched his hands under the table, determined to remain civil.  “Well, I’m afraid I can’t say the same about you.  Why don’t you ever tell us anything about yourself?  We’re family and all.”

Percy shrugged.  “There’s nothing to tell.”

Harry gave a short, humorless laugh.  “I know you know that I know that that’s bullshit.”

Percy made no sign that this assessment fazed him.  The cousins lapsed back into silence.  The band was playing a twangy song about Raleigh, North Carolina.  Harry tried again.  “I don’t get the fascination these lads have with playing all this American local color stuff.  I mean, half the people in this town have never been more than two hours away.  What do they know about Raleigh?”

“How do you know where they’ve been?” Percy asked, still looking straight ahead.

Harry shrugged.  “I fix their cars; they talk to me.”

The band had moved on to a plaintive song about the Blue Ridge Mountains.  “Have you ever been to the States?” Harry asked.

“Yeah.  Lived there for a while.”

“Oh!” exclaimed Harry, pleasantly taken aback by this rush of self-disclosure.  “Where did you live, exactly?”

“New York City.”  Percy was not equally excited by the conversation.

“Ah, indeed,” said Harry, like someone who knew.  “Where else?”

Percy paused in lifting his pint and gave his cousin a sidelong glance.  “What’s that supposed to mean?”

Harry didn’t actually know what he had meant.  “I just thought…New York City was a sort of melting pot,” he replied lamely.

Percy sniffed–laughed, possibly–and finished taking that drink.

“So, was it a nice place to live?” Harry asked, determined to press on.

“No.”

Harry nodded, hoping for but not really expecting more.  “And…are you going to tell me about it?”

“No.”  Percy put his empty glass down hard on the table and slid out of the the booth.

“I didn’t think so,” said Harry to his cream soda.


 

Christmas miscellany

In my December 5 post I mentioned that I was considering writing a post on Stevie Wonder’s song “Someday at Christmas,” a Christmas song that I’m not ashamed to say makes me cry.  But the post I was crafting in my mind sounded a lot like the one I had just written about “Hark! The Herald Angels Sing” (i.e., me waxing poetic and theological about a song which I would then quote), so I decided not to bore you.  Instead, I’ll briefly mention my thoughts on that song in my list of assorted observations I’ve made so far this month about classic Christmas music and movies.

  • If you believe Jesus is going to come a second time and recreate the world as a place of peace and justice, listen to “Someday at Christmas” with that in mind.  It would only take one or two little tweaks of the lyrics to make it an eschatological song.
  • You know that bird on the Island of Misfit Toys who doesn’t fly . . . he swims?  And you know how during the end credits of Rudolph, that elf in Santa’s sleigh sends each toy down to earth with an umbrella to ensure a safe and pleasant landing?  Well, the other night my friends and I noticed that THE ELF DOESN’T GIVE THE BIRD AN UMBRELLA!  I shouted, “That bird can’t fly!” and everyone laughed, but it was a rather tragic moment for this bird lover.
  • I watch White Christmas pretty much every year, and while it’s hard to resist Bing Crosby’s smooth, warm voice and soulful blue eyes, my real White Christmas crush is Danny Kaye, so debonair when he’s dancing and awkward when he’s not, and adorable either way.*  Until last night, I had always been under the impression that Danny Kaye was an unusually tall man, mainly because his ankles always seemed to be sticking out.  But last night when I was watching White Christmas, I looked closely at that scene near the end when all the soldiers are lined up to honor General Waverley, and I noticed that DK is actually shorter than the guys on either side of him.  So I looked him up on Wikipedia this morning, and it turns out that he was 5’11”–not short by any means, but not unusually tall.  I think one reason he looks tall in White Christmas is that he’s always next to Bing Crosby, a relatively little guy at 5’7”.  But another reason–the reason Danny Kaye’s ankles always seem to be sticking out–is that he’s often wearing his pants too short in what I believe is a deliberate move to show off his awesome socks, such as the mustard yellow ones he’s wearing in the scene where he fakes a broken ankle.  He executes this sartorial maneuver long before it was cool, of course, and it’s just one of several proto-hipster clothing choices that Danny Kaye–or at least his character, Phil Davis–makes throughout the movie, including a deft use of the cardigan.

Perhaps I’ll have some more epiphanies (no holiday pun intended) while watching The Muppet Christmas Carol, Love Actually, and any other Christmas movies I may end up watching over the next week, or while listening to Christmas music, such as the instrumental “Victorian Christmas” albums I was listening to earlier or Bing Crosby’s White Christmas (not affiliated with the movie), which I’m listening to right now.  Let me know about any keen observations you may have had as well!

*Speaking of Christmas movies and crushes on now-deceased actors, can I get a witness to Jimmy Stewart’s gorgeousness in It’s a Wonderful Life?

Opportunity for you to laugh at my expense

I’m taking a break from grading papers to share a brief funny story with you about something dumb I did tonight.

So tonight I made some coconut chicken soup, kind of an Asian-fusion thing.  You might have seen the recipe in the latest Real Simple.  My first mistake was that I bought an unidentified chili pepper.  This is a terrible idea for anyone except the most heat-tolerant folks.  I saw these little orange chilies at Kroger; they were in the jalapeno bin, but the sign said that the jalapenos were temporarily out of stock.  I sniffed one of the chilies and thought “It doesn’t smell spicy.”  I bought it, but I was actually worried that I had bought some wimpy mini bell pepper (is there such a thing?) and that my soup wouldn’t be spicy enough.  Irony alert.

Tonight I cut the pepper in half as the recipe instructed, and I noted that it did smell spicy after being cut.  I briefly considered seeding it, since the seeds are supposed to be the spiciest part, but the recipe didn’t say to seed it, so I didn’t.  I have a bad habit of slavishly following recipes, mainly because I’m afraid to deviate.

So I threw the halved pepper in the hot pot where I was cooking the onions.  Almost immediately I started coughing, just from inhaling the steam.  I mean really coughing.  My neighbors probably thought I was in the last stages of tuberculosis.  This should have been a warning sign.

The coughing continued throughout the entire cook time of the soup (including the part where I had to stick the chicken in longer because it was still pink).  Still, I never took the chili out.  I took the lemongrass out, because the recipe told me to, but I didn’t take the chili out.  This is called legalism.

When I finally sat down to eat the finished product, you can imagine what happened.  My taste buds were singed.  My nose ran.  I cried.  But doggone it, I was going to power through it.  I grabbed a Cherry Coke Zero to cool off my mouth.  And I worked on that soup for about ten minutes.  (Incidentally, I came up with a good nickname for a sexy redhead while I was eating.  I got a big hunk of ginger in one bite, and I said, “That’s a big hunk of ginger.”)

I finally had to give up.  I was suffering.  I ate all the chicken out of my bowl, but I ended up dumping out a lot of the broth.  I hated to throw away all the leftovers, so I put the rest of the soup in a large container.  AND I TOOK THE CHILI OUT.  That’s an important detail.  Later, when I was packing my lunch, I hesitantly tried a spoonful of soup.  It was still really spicy, but it didn’t make me weep.  So I’m going to save it and try again tomorrow.  I also put a big handful of croutons in the container, hoping they would counteract some of the heat.  I don’t know if croutons actually have that power, but I’m trying anyway.  I do a lot of magical thinking when I’m cooking.

Back to grading papers.

The child is father to the man

Well, so much for posting every week. My last few weeks have been busy, but I’m hoping to get back on a regular schedule. The purpose of today’s post is clear: I want to show you how darn cute I was as a child. Also, I want to point out how some of my interests were established at a very early age. Photo credits are shared by whichever parent took them ages ago and Sarah, who recently scanned them. P.S. If you know the origin of the quote in the title, and/or what it’s supposed to mean (without Googling it!), feel free to show off your knowledge in the comments.

I still enjoy . . .

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being feted, especially when presents are involved.

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wearing costumes.

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being in charge.

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reading.

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breakfast.

Housekeeping and hypotheticals

Get excited!  The long-promised Penelope Clearwater Revival has arrived.  You can expect two new things from my blog:

1. More frequent posts.  Now that I have more followers, and not all of you are people who know me and are willing to put up with my slacking, I feel I owe it to you to post on a more regular basis, perhaps weekly.  I can’t promise these will be long posts–after all, I’m supposed to be working on my dissertation as well–but that may be for the best.  (“Amen,” says the chorus.)

2. A better organizational scheme.  Yes, it’s true: I’ve had this blog since December 2011, and only just this past weekend did I start adding categories and tags.  I did this retroactively for all my posts, which was a fun exercise for me; I especially enjoyed seeing my most commonly used tags as calculated by WordPress.  (“Charles Dickens” was the winner by far, but there were some surprise runners-up.  Who knew I’d written so many posts about Moneyball?)  I’d love your feedback on this endeavor–if you notice a common theme among two or more posts that I haven’t seen, let me know so I can add a tag or possibly create a new category.

I hope these changes will enhance both your and my enjoyment of the blog.  So that this post won’t be completely boring, here are some fun “if” statements.  I’d love to hear how you’d complete the statements for yourself.

1. If I could write and illustrate a comic book series, it would be called . . . The Adventures of Sigyn, Intra-Yggdrasil Diplomat.  I’ve actually thought quite a bit about this.  Sigyn is a minor character in Norse mythology whom I discovered while reading Edith Hamilton.  She (Sigyn, not Edith) is Loki’s wife.  So I thought I could make a pretty fun comic series–and also send positive messages about world peace and women’s empowerment–out of the idea that Sigyn is going around trying to negotiate satisfying compromises between her husband’s world domination schemes and the contrary purposes of people like Odin and the Avengers.

2. If I wrote a screenplay, it would be called  . . . The Darlings.  I’ve thought even more about this one, and I might really write it someday.  The Darlings is about Wendy, John, and Michael after they’ve grown up.  To my knowledge, this particular Peter Pan variant hasn’t been done before. The basic premise: Michael doesn’t believe they really went to Neverland or that it’s even real (he was too little to form his own memories of the event); John knows it really happened but has only negative memories and doesn’t like to talk about it; Wendy has happy memories of Neverland and is still enamored with Peter Pan but has married a man who’s the opposite of Peter in pretty much every way.  Plus there’s a bunch of other stuff going on with careers, university studies, romance, and sibling rivalry.  Maybe I’ll write this when I’m finished with my PhD.

3. If I were on a roller derby team, my derby name would be . . . Tess of the Disturbervilles.  This is never going to happen, folks, so you can just use your imagination.

Another schizophrenic post

Hi, this is Tess. I just want to say, in the interest of full disclosure, that I’ve just been sorted into a house on Pottermore, and the Sorting Hat has placed me in Hufflepuff. Needless to say, I feel a bit conflicted about this decision. I have no problem with Hufflepuff. I like Cedric Diggory. I like Professor Sprout. I like black and yellow (for a variety of reasons). And I don’t believe all the slander about Hufflepuff being a house for duffers. Nevertheless, as you can imagine, the sorting has thrown me into a quandary about a lot of things–major things. Like my Ravenclaw scarf. And my identity.

But I should clarify that while Tess Stockslager may be a Hufflepuff, Penelope Clearwater is still a lifelong Ravenclaw. And therefore, nothing essential will change about this blog. So you can ease your minds about that, dear readers.