The Bad Guy Report 2012

This past Saturday, after I watched Skyfall for the second time, I had some clever thoughts that I believe deserve to be turned into a blog post.  I realize that it’s a little late to be doing 2012 year-in-review summaries, but in my defense, several of the movies I’ll be referencing are probably still in your local cheap second-run theater.  So here it is: The Bad Guy Report.

The year 2012 proved interesting in the villain department.  For example, in The Amazing Spiderman, we saw Luna Lovegood’s dad stop trying to recreate the lost diadem of Rowena Ravenclaw and move to bigger, higher-tech mad scientist projects, which led to his turning himself into a Godzilla-type creature who enjoyed ravaging New York City.  (By the way, the actor in question may have roles he’d rather be known for than his ten-minute appearance in Harry Potter and the Deathly Hallows Part One, but I persist in calling him Xenophilius Lovegood because it’s a lot easier to pronounce than his real name, Rhys Ifans.)

Speaking of summer supervillains, this year Batman finally met an opponent with an equally incomprehensible voice.  It’s a good thing most of the confrontational scenes between the Dark Knight and his nemesis, Bane (I guess I could have just said “his b/Bane”), involved more punching than talking.  Despite Bane’s sad backstory, Steelers fans worldwide will hate him forever for destroying Heinz Field just to prove something we already knew: Even a giant fissure opening up in the middle of the field couldn’t stop Hines Ward.

Moving on to movies upon which the Academy of Motion Picture Arts and Sciences deigned to bestow their notice, Django Unchained featured Leonardo DiCaprio’s first truly villainous role.  Seriously, Leo, you’re 38 years old; it was about time you played something other than a golden boy.  Well, to be fair, I suppose Howard Hughes wasn’t, strictly speaking, a golden boy; nor was that guy from Shutter Island.  But it’s good (in a troubling way, I guess) to see that DiCaprio can cross nimbly over to the dark side when called upon to do so.  From what I understand (I haven’t seen the film yet), he does it convincingly.  Oh, speaking of bad guys in Django Unchained, what’s this I hear about Jonah Hill playing a member of the KKK?  I didn’t think the Klan allowed Jewish participants, let alone sweet-looking baby-faced Jewish boys.  I’ll have to see that to believe it.

2012 was also an important year for bad guy philosophy.  Wreck-It Ralph is essentially an extended commentary on the interaction (and sometimes the vast disparity) between the roles we have to play and who we really are at our core.  You probably saw the trailer with the bad guy support group a million times, but the words of the hairy wrestler Zangief bear repeating: “You are bad guy.  But that doesn’t mean you are bad guy.”  (N.B. I never figured out what was so bad about Zangief, other than the fact that he left out his indefinite articles.)  And if you’ll indulge me in one more profound quote, this one from an unnamed zombie: “Good…bad…UGHHHH [zombie sound].  You must love you.”

Now it’s time for the bad guy move of the year.  You know, villains are just like professionals in any field; they exchange ideas through trade publications, discussion boards, etc.  (I was going to say conferences, but they generally don’t like to be in the same room with each other, except in the unusual situation described in the preceding paragraph.)  So some years, you might see two movie villains employing the same strategy, both to great effect.  The 2012 bad guy move of the year is as follows: Get yourself captured and placed inside a glass case right in the middle of the good guy headquarters.  Smile unsettlingly and taunt the good guys.  Eventually, when it’s too late for them to do anything about it, allow them to develop the inkling of the idea that you are exactly where you want to be.  Then, escape and wreak general havoc.

Does this strategy sound familiar?  It should, since it was used by two of the most memorable villains of the year, Loki in The Avengers and Silva in Skyfall.  I didn’t notice the resemblance until the second time I saw Skyfall, which is proof that 2012’s bad guy move of the year is fully customizable to a variety of personalities, styles, and situations–although it seems to work best for villains who fall into the category of mischief maker (as opposed to, say, mad scientist or power-hungry politician).  And now that I’ve mentioned mischief makers, it is perhaps beginning to dawn on you that a very similar strategy, though without the glass case, was used by the ultimate bad guy of the past decade.  Remember?  “I want my phone call”?  In case you need your memory jogged, I’ll close this report with a video clip.  After you’ve marveled at the brilliance of this truly frightening 2008 villain, let me know some of your favorite bad guy moments of 2012.

Boycott Saturday

My recent post titles seem quite revolutionary: first we resisted the Oscars; now we’re–what? Boycotting everyone’s favorite day of the week? Not exactly. I don’t have a problem with the day itself, but with its name. Here’s why: Saturday is the only weekday named after a Roman deity (Saturn). English is a Germanic language, doggone it. We don’t need any of that Latin crap.

As a review, our other days are named after, respectively, the sun, the moon (note that these are good Anglo-Saxon words–we don’t say Solisday or Lunaday), Tyr (Norse god of war), Woden (the German version of the more familiar Norse god Odin All-Father), Thor (sexy god of thunder), and Freya (goddess of love and beauty and also dead people slain in battle). In other words, the English names of the first six days of the week make you want to go read the Elder Edda while listening to Led Zeppelin.

And then we get to Saturday, which is named after…the depressing Roman god of winter and old age and irony?  (To prove my point, if you don’t know what the word saturnine means, look it up; it’ll make you want to lie in bed all next Saturday, even if you don’t normally do that.)  That’s lame.  I think we need to have a good Northern name for the final day of our week.  I’m sitting here with a copy of Edith Hamilton’s Mythology.  She clearly favors the Greeks and Romans (Norse mythology gets 15 measly pages), but at least her cursory summary will help refresh my memory.  Here are some replacement names I would like to propose.

Baldersday.  I’m actually surprised there isn’t a day named after Balder.  He’s the Christ figure in Norse mythology.  Balder was killed with mistletoe, but according to Wikipedia the all-wise, “after Ragnarök [the Norse Armageddon; cf. Led Zeppelin]. . . he and his brother Höðr would be reconciled and rule the new earth together with Thor’s sons” (http://en.wikipedia.org/wiki/Baldr).  Baldersday would be a fitting name to mark the dying of the old week and the imminent rise of the new one, like the phoenix from the ashes.  But the phoenix is Greek, so never mind.

Valkyriesday.  Cue the Wagner music.  You know the Valkyries–they’re the “maidens” (Hamilton’s quaint word) who show up after battles and get to pick which warriors they want to take to Valhalla.  On second thought, this might not be a good choice.  The day formerly know as Saturday could become very dangerous.

Lokisday. Speaking of dangerous.  You saw what Loki tried to do to our planet in The Avengers.  He’s also the one who killed Balder with mistletoe.*  Loki is a shape-shifter and the closest thing Asgard has to a trickster deity (the Norse were a little too serious for an all-out joker), so at least we could say that the last day of the week would be…er…exciting, and a little more unpredictable than Valkyriesday.  On Valkyriesday, you would definitely die and might or might not get to go to Valhalla.  On Lokisday, you might die.  But you might not.

Heimdallsday. Heimdall is the guy Thor yelled at to “open the Bifrost,” remember?  (All I could think of during that scene was “Beam me up, Scottie.”)  But his name is way too unwieldy (that’s a good Anglo-Saxon word) for a day of the week, so forget it.

I haven’t suggested Freyrsday or Friggasday because those would be too similar to Friday. (Actually, according to Hamilton, some people think Friday was named after Frigga, Odin’s wife, rather than Freya; either way, it’s named after a goddess.  Go women!)  I hope it’s apparent that this is all tongue-in-cheek; I’m really not one of those would-be purifiers of the English language.  I just watched Thor over the weekend and am getting ready to teach a lesson on words derived from mythology in my Advanced Reading and Vocabulary Development class.  But seriously, think about it this coming Saturday.

*Actually, Loki didn’t do the dirty work himself; he got this blind guy named Hoder to throw the mistletoe at Balder.  Typical.

Kung Fu Panda eats, shoots, and leaves: A stream of consciousness

Hi everyone, I’m back. I’ve done many things during my regrettably long blogging hiatus, including looking at some pandas. Last week I was in San Diego for the International Writing Centers Association conference with two of my colleagues, and we went to the famed San Diego Zoo, which has a new baby panda who’s still too young to be on exhibit. So we watched the baby on the zoo’s webcam (you can too: http://www.sandiegozoo.org/pandacam/), and we saw his grown-up friend (not his mother; she’s with the baby) live and in person. The employee working at the panda exhibit told us an interesting fact: Pandas can be very aggressive if provoked. (I know; they’re bears, duh. But they look so genial.)

This fact made me think of Kung Fu Panda, a great movie and the source of my favorite example of the importance of articles (I mean a, an, and the).  During the climactic battle scene, the evil snow leopard says, “You’re just a big fat panda.”  In response to which, Po, the title character, says, “No.  I’m the big fat panda.”  Really, that’s a brilliant piece of dialogue.  A lot of breath and trees have been wasted in discussing the best way to teach the rules of articles to English language learners whose native languages don’t have articles.  And actually, I learned at the conference last week a theory that incorrect article usage may be one of several “untreatable errors” that simply can’t be addressed with rules.  But I have the solution for everyone: Just watch Kung Fu Panda.

From my favorite example of article importance, I move to my favorite use of a punctuation metaphor in a song lyric.  Earlier tonight I was trying to read Hans Robert Jauss’s Toward an Aesthetic of Reception while listening to my iPod on shuffle.  Up came the Coldplay song “Every Teardrop Is a Waterfall.”  Which do you think I was paying attention to, the song or the book?  I’ll be honest; I was dancing in my bed.  The punctuation metaphor occurs in (I think) the second verse of the song: “I’d rather be a comma than a full stop.”  Besides the fact that the British term full stop, like ginger and roundabout and a lot of other words, is inherently fabulous, the metaphor is quite apt and well-put.

At this point I was going to embark on a rant about how people should give another listen to the much-maligned Coldplay album Mylo Xyloto.  No, it doesn’t follow a neat story arc about the French Revolution like Viva La Vida does, but it still has some great songs.  Further ranting will have to wait for another time, however, because I need to go to bed.  I’ll leave you with the assurance that my next post will be more coherent, if not profound, and with this holiday wish, which I’m borrowing from a cute tin sign I bought at an antique store recently: “A merry Hallowe’en.  Scare up some fun, and have a spooktacular night.”

Things I liked about Brave…

…the new Pixar movie released this weekend, which I saw today.
1. Scotland
2. Emma Thompson
3. Mumford and Sons
4. a heroine with spectacularly explosive hair
5. a heroine who doesn’t think getting married should be her #1 goal in life (but who is open to getting married at some point)
6. a great, and realistic, mother-daughter relationship
7. bagpipes
8. beautifully animated scenery
9. magic
10. kilt humor

Seeking unlikely hero who’s good with plants

I realize this morning’s post was probably a bit of a snooze for people who haven’t read The Rise of Silas Lapham (even though the novel itself is not a snooze–I’ve been flying through the last hundred pages this afternoon and evening), so this evening I decided to write something more fun, or something that at least nerds like me will consider fun.

I was thinking earlier about the two fictional characters I’m most in love with.  One, Sam Gamgee, I’ve loved since I first read The Lord of the Rings at age 13; the other, Neville Longbottom, I’ve loved for a shorter time but no less fervently (I have a larger-than-life-sized representation of him in glossy cardboard).  The similarities between the two are significant: both appear somewhat incompetent on first impression but turn out to be undeniably capable and even heroic, and both have a knack for botany (or Herbology, in Neville’s case).  Also, now that I think of it, both are intimidated by angry wizards.  But who wouldn’t be?

Based on these ideal figures, I’ve compiled a list for the reference of any guy who may, for whatever reason, want to impress me.

1. I would be really impressed if you could slay something, preferably something that urgently demands to be slain, such as a squadron of orcs or a snake that’s actually a Horcrux.

2. You need to be able to locate plants with magical properties in case I need them in an emergency.  For example, if I am stabbed by a Morgul blade, I will need you to find me some athelas, also known as kingsfoil.  Or, if I need to spend a prolonged period of time underwater (I was thinking about visiting the Titanic site with James Cameron), I will require gillyweed.

3. It would also be nice if you had some skill with regular, non-magical plants, particularly edible plants like po-ta-toes and strawberries (do you remember the taste of strawberries, Mr. Frodo?).  Here Sam has a decided advantage over Neville.  I guess it’s possible that Neville is cultivating a little kitchen garden next to his venomous tentacula plants, but we know for a fact that Sam cooks (unintentional 1960s popular music reference!).  But if we’re talking about advantages and disadvantages, let’s be fair: Neville owns a pair of shoes.  Also, Neville is human; technically, Sam is not.  But this isn’t a competition.

4. If you have a domineering older person in your life, such as your old Gaffer or your Gran, you will always have someone whose good opinion you strive to live up to or whose poor opinion you strive to prove wrong.  This will play a large part in your emerging heroism.

5. I don’t mind if you say lots of ridiculous things; in fact, I will probably find it endearing.  But try to come up with at least one awesome line to deliver at a tense moment.  For example, if someone asks you how your parents are, try saying, “Better, now they’re about to be avenged.”  Or, here’s one that works in all kinds of different situations: “I can’t carry it for you, but I can carry you!”

Well, that should give you something to work with.  If you think you could live up to my exacting standards, and especially if you’ve ever had your Remembrall stolen or gotten excited about seeing an oliphant, please inquire.

Harry Potter humor

Despite its title, I’m trying to make sure this does not become a Harry Potter blog, and I intend for my next few posts, after this one, to have nothing to do with HP.  (For example, I’m planning to review the final David Crowder Band album, Give Us Rest, which was released last week.)  But I couldn’t resist sharing a thought I had the other day: What if every bestselling novel and series released since J.K. Rowling started writing Harry Potter was actually about Harry Potter?  Here are some hypothetical synopses.

1. A Series of Unfortunate Events. The life of Neville Longbottom.

2. The Hunger Games. An account of the brawl that inevitably ensues when a meal is served at the Weasley home.  First come, first served.

3. The Help. A socially conscious young woman named Hermione Granger meets two house-elves, Dobby and Winky, who will change her life forever.

4. The Shack. An allegorical story set in the ramshackle structure outside Hogsmeade where Remus Lupin (see Twilight below) can ride out his lycanthropic fits without hurting anyone.

5. Diary of a Wimpy Kid. Never mind, this is the one about Neville.  (I love you, Neville.)

6. The Half-Giant Man with the Dragon Tattoo. Things you didn’t know about Hagrid.

7. Eragon. A spin-off series in which the tattooed half-giant’s dream comes true: he befriends a talking Norwegian Ridgeback named Norbert.

8. Percy Weasley and the Ministry Aides. Ambitious Hogwarts grads take on stacks of paperwork of Olympian proportions.  Olympian.

9. Left Behind. What happens to Harry when he has to stay at school because he didn’t get his Hogsmeade permission slip signed.

10. Twilight. Nymphadora Tonks has to decide whether she wants to be with Remus Lupin or a nattily dressed vampire who looks like Cedric Diggory.