I ran a marathon yesterday!

Back in January, I wrote a post about meeting Connie, the septuagenarian marathoner, in the hotel exercise room, and how she inspired me to (maybe) run a marathon this year. So I thought I should check back in and let you know that I did, indeed, run the inaugural Silo District Marathon yesterday morning in Waco, Texas. Last fall, I wrote about my visit to Chip and Joanna Gaines’s Magnolia empire (a word I’m using in a descriptive, not a pejorative, sense); this race event, which also included a half-marathon and a 5K, was their brainchild, which means that it was both warmly hospitable and efficiently organized. This was my first marathon, but it was Chip’s first road race ever, so I kind of expected to be able to keep pace with Chip (who is also about 10 years older than I am), but I was wrong–he left me in the Texas dust. So did Clint Harp (Fixer Upper‘s go-to carpenter and furniture designer), who was the team captain of the half-marathon. He, along with a lot of the other half-marathoners, passed me even though their race started about half an hour later than my race, which didn’t make me feel very good about myself. The competitive, Gryffindor part of me was merciless during the part of the race when we were sharing the course with those fast half-marathoners; I couldn’t believe how slow I was, but then again I could believe it because I hadn’t trained enough, hadn’t rested or eaten properly the day before…I’ve posted a number of times (see here and here) about how hard I can be on myself, especially in physical competitions, so you get the idea. But then, around mile 10, the hard-working, long-suffering Hufflepuff part of me kicked in, and I turned my mental energy to forcing myself to keep going–even if that meant limping, as it did toward the end of the race. (I didn’t injure myself, unless you count severe chafing between my legs, to the point of bleeding–I was just really sore.)

Because that’s really what a marathon is about; forcing yourself to go on. With shorter races, things like technique matter a lot more. A marathon is about sheer endurance, which I like to think I have a lot of. (I’ve written about that too.) The race materials from this weekend kept referring to us as athletes, but I don’t think it requires that much athleticism to finish a marathon (at least not the way I finished it–barely dragging myself across the finish line); it just requires a willingness to endure pain. I’m not sure what that says about me. I think it may mean that I have a psychological problem. But I’m weirdly proud of it.

Today my quads are really hurting–it hurts for me to go down stairs (going up is okay) and to lower myself into a chair. And when I’ve been sitting for a while, I get stiff and have trouble getting back up. And I need to go home and put some antibiotic cream and bandages on that nasty chafing. Notes for next time, and notes to anyone who’s thinking about running a marathon: Seriously consider wearing pants or longer shorts, even if it’s hot. And maybe don’t run a marathon in Texas, where 75 degrees doesn’t mean a beautiful, balmy day like it does here in Virginia. 75 feels a lot hotter in Texas, where they seem not to know about clouds or shade. And also, make sure you train for an actual marathon–I meant to do that, but the longest training run I had made time for was 11 miles.

My most important piece of advice: If I can run a marathon, you probably can too. Chip Gaines would probably say the same thing about himself, though I’ll never underestimate him again! Our race t-shirts and the banner over the marathon starting line said, “You were built for this.” There’s obviously a home renovation pun in there, as well as a Purpose-Driven Life-style spiritual meaning. But when I think of people who are “built” for running marathons, I think of tall, willowy people; I don’t think of people who look like me (i.e. a hobbit). So I take inspiration from that as well–you may not think so to look at me, but I was, apparently, built to run a marathon.

Mumford and Sons revisited

Three years ago, I wrote one of my most popular posts of all time, a review/listening guide for Mumford and Sons’s first album, Sigh No More.  I always thought I might do something similar for their second album, Babel, but I never got around to it–though I must say that I think it’s a great album.  I disagree with those who considered it a sell-out album; the band was just getting better at writing tight, radio-playable folk-pop songs, a skill that should not be denigrated.  Now that Mumford and Sons is/are about to release their third, stylistically very different album, I’m returning to them on my blog–but not to write about their music.  This time, I want to mention a couple of things I appreciate about the way the band members present themselves physically, which, as I think we all know, can be nearly as important in our day as the music itself.

1. Have you seen Winston Marshall’s hair lately?  It’s beautiful.  I realized this as I watched him tossing it around during the band’s frenetically kinetic performance on SNL this past week.  Sometimes long hair, on a man or a woman, can look lank and stringy, but not so on Winston.  I love the fact that he’s just letting his rather thick hair go where it pleases instead of trying to tame it.  That’s usually been my own personal hair styling method as well.  I have a lot of respect for people (particularly for women) who just let their hair be awesome even if it doesn’t look put-together according to the current definition of what put-together hair looks like.  You should not be surprised to know that my hair role model is Helena Bonham Carter.

my hair role model

my hair role model

Nice job, Winston.

Nice job, Winston.

2. While watching the same performance, I was confirmed in my long-held belief that Marcus Mumford is very attractive.  He’s not like my number-one celebrity crush, but I like a lot of things about the way he looks (but please note, Marcus, that the small mustache is not one of them).  I like how, speaking of hair, he has a little piece that insists on sticking up–it’s so Harry Potter.  I also love that he’s not ashamed to contort his face in order to express emotion while singing.  His face looks like it’s going to break, but that’s how he gets that gut-wrenching sound that’s part of what makes this band distinctive.  Probably my favorite thing about Marcus, though, is that he doesn’t look like the heroin waif we typically picture when thinking of a rock ‘n’ roll front man.  Now understand me, he isn’t fat.  But he definitely has a soft belly.  And his face isn’t chiseled or angular or gaunt by any means.  And I would guess the only bicep toning he gets on a regular basis comes from playing the guitar like a maniac.  You can really see this in the SNL performance, in which he’s just wearing a t-shirt (and trousers, too–geez, people), since tweed jackets and vests are no longer part of the Mumford and Sons uniform.  I have a lot of respect for this very noticeable, if not flagrant, disregard for a long-established stereotype.

There’s entirely too much body hatred in our world today, and the music industry often hurts rather than helps.  So it makes me very happy that the members of Mumford and Sons–none of whom exactly look like gods of rock–seem to be totally cool to just, as they put it in the last song on Babel, “be who [they] are.”

Huge props to the pudgy rockstar

Huge props to the pudgy rockstar